Infos, Hot Takes and Science

IRYW : You don’t need to be a great musician to be a great luthier

IRYW : You don’t need to be a great musician to be a great luthier

I’m Right, You’re Wrong N°3 - or how I justify my poor bass skills

Think you need to shred on a guitar to craft one? Think again. This article debunks the myth that musical virtuosity is essential for luthiery, highlighting the true skills—craftsmanship, empathy, and precision—that define the world’s best luthiers.

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I design guitars from the perspective of a bass builder

I design guitars from the perspective of a bass builder

In this exclusive interview with Fretboard Frenzy Journal, I share the journey of building Belforti Instruments, my passion for crafting premium electric guitars, and the philosophy that drives my work. From the initial inspiration to the details of the crafting process, this conversation dives deep into the artistry and precision behind every Belforti guitar. Whether you're a musician, a collector, or simply intrigued by the world of high-end lutherie, this interview offers an inside look into the dedication and innovation that go into creating instruments for the modern player.

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IRYW : Vintage guitars are overpriced hype

IRYW : Vintage guitars are overpriced hype

I'm Right You're Wrong - The return

In this new episode of the most argumented and objective blog series ever made, we will talk about vintage guitars and basses, and how Big Guitar lead you to believe that they are worth your money. From survivor bias, to deep rooted clichés, discover why a large portion of the public and players still praise decade years old instruments that are often out performed by their younger opponents. 

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IRYW : Why Stainless Steel Frets are a Waste of Money

IRYW : Why Stainless Steel Frets are a Waste of Money

In this first article of our new series : I’m Right, You’re Wrong, we delve into the comprehensive discussion about stainless steel frets. We examine the touted benefits of durability and longevity against the increased costs and maintenance requirements. Uncover insights into how these frets affect playability, tone, and the overall health of your guitar. Whether you're a touring professional or a casual player, find out if stainless steel frets are truly a worthy investment for enhancing your guitar's performance over time.

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About Guitar Finishes

About Guitar Finishes

This article delves into the scientific examination of guitar finishes, focusing on their impact on tone. It critically evaluates the myth of the "breathing guitar" and challenges the perceived superiority of nitrocellulose finishes, presenting evidence on how various finishes, including oil-based options, affect sound quality. The discussion extends to include electric guitars, debunking common misconceptions and highlighting perception biases in tone evaluation. Innovations in finishing materials and their future implications are also explored.

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About Tonewoods

About Tonewoods

Discussing tonewoods… or how to make new enemies in the guitar building industry. Sounds like a plan !

This article delves into the intricate world of tonewoods and musical instrument construction, highlighting the balance between tradition and innovation. It explores the scientific properties of woods, the impact of construction techniques on sound, and the importance of sustainability in material selection. Case studies exemplify practical applications, while challenges like debunking myths and ensuring sustainable practices point towards future directions in lutherie.

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About Guitar Necks

About Guitar Necks

This article delves into the nuanced aspects of guitar construction, focusing on neck joint types, grain orientation, and the choice between laminated and one-piece necks. It challenges common myths with scientific evidence, revealing that factors like material choice and craftsmanship significantly influence tone and sustain, rather than neck joint type alone. Both laminated and one-piece necks have their merits, with considerations for stability, tone, and aesthetics guiding builders and players. The piece advocates for a holistic approach in guitar design and selection, emphasizing personal preference and the interplay of various construction elements.

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