Infos, Hot Takes and Science

2025 Guitar Trends: Materials, Specs, Styles, and Sounds

2025 Guitar Trends: Materials, Specs, Styles, and Sounds

In 2025, the guitar industry embraces a refined balance between tradition and innovation. Sustainability drives tonewood choices, with roasted maple, regional species, and reclaimed materials gaining ground. Specs focus on playability, with compound radius fingerboards, ergonomic necks, and noiseless electronics becoming standard. Visually, vintage-inspired designs meet modern aesthetics like metallic finishes and aged hardware. Sonically, players seek clarity and dynamics over raw power, favoring versatile electronics and responsive pickups. Sustainability is no longer optional — eco-friendly finishes and responsible sourcing are integral to premium craftsmanship. Overall, the guitars of 2025 reflect a market that values comfort, individuality, and environmental responsibility.

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Gloss vs. Matte: The Feel, the Look, the Legacy of Your Guitar Finish

Gloss vs. Matte: The Feel, the Look, the Legacy of Your Guitar Finish

Choosing between gloss, matte, or satin guitar finishes is more than an aesthetic decision — it shapes your experience with the instrument over time. Gloss finishes offer stunning brilliance and highlight the guitar's curves and grain, but require regular maintenance to preserve their shine. Matte finishes provide a smooth, non-sticky feel with a muted, natural look, hiding fingerprints well while developing character as they wear. Satin finishes sit comfortably between the two, offering a soft sheen and a balance of visual appeal and practical comfort.

Each finish evolves differently, with gloss gradually softening in high-contact areas, and matte and satin subtly polishing themselves through play. Ultimately, the right choice depends on your personal style, your playing habits, and the story you want your guitar to tell as it ages alongside you.

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IRYW : Beautiful guitars sound better

IRYW : Beautiful guitars sound better

I’m Right, You’re Wrong N°5 - Still Right.

This article explores the fascinating relationship between the beauty of musical instruments and their perceived sound quality. By combining insights from neuroscience, psychology, and blind listening tests, we uncover how aesthetic appeal influences musicians' confidence, performance, and audience perception. Through case studies and research findings, we challenge the traditional notion that only acoustic properties matter, showing that beauty plays a significant role in musical expression.

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IRYW - Tone : you think you do, but you don’t

IRYW - Tone : you think you do, but you don’t

I’m Right, You’re Wrong n°4 - TRIGGER WARNING

A deep dive into the science of guitar tone that challenges common myths and misconceptions. This comprehensive article examines scientific research on wood properties, human perception, and blind testing to reveal why many of our beliefs about tone are based more on marketing and cognitive bias than actual physics. From detailed analysis of wood moisture content to critical examination of blind testing methodologies, it provides both scientific evidence and practical insights for guitarists and instrument makers.

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IRYW : You don’t need to be a great musician to be a great luthier

IRYW : You don’t need to be a great musician to be a great luthier

I’m Right, You’re Wrong N°3 - or how I justify my poor bass skills

Think you need to shred on a guitar to craft one? Think again. This article debunks the myth that musical virtuosity is essential for luthiery, highlighting the true skills—craftsmanship, empathy, and precision—that define the world’s best luthiers.

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I design guitars from the perspective of a bass builder

I design guitars from the perspective of a bass builder

In this exclusive interview with Fretboard Frenzy Journal, I share the journey of building Belforti Instruments, my passion for crafting premium electric guitars, and the philosophy that drives my work. From the initial inspiration to the details of the crafting process, this conversation dives deep into the artistry and precision behind every Belforti guitar. Whether you're a musician, a collector, or simply intrigued by the world of high-end lutherie, this interview offers an inside look into the dedication and innovation that go into creating instruments for the modern player.

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IRYW : Vintage guitars are overpriced hype

IRYW : Vintage guitars are overpriced hype

I'm Right You're Wrong - The return

In this new episode of the most argumented and objective blog series ever made, we will talk about vintage guitars and basses, and how Big Guitar lead you to believe that they are worth your money. From survivor bias, to deep rooted clichés, discover why a large portion of the public and players still praise decade years old instruments that are often out performed by their younger opponents. 

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IRYW : Why Stainless Steel Frets are a Waste of Money

IRYW : Why Stainless Steel Frets are a Waste of Money

In this first article of our new series : I’m Right, You’re Wrong, we delve into the comprehensive discussion about stainless steel frets. We examine the touted benefits of durability and longevity against the increased costs and maintenance requirements. Uncover insights into how these frets affect playability, tone, and the overall health of your guitar. Whether you're a touring professional or a casual player, find out if stainless steel frets are truly a worthy investment for enhancing your guitar's performance over time.

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About Guitar Finishes

About Guitar Finishes

This article delves into the scientific examination of guitar finishes, focusing on their impact on tone. It critically evaluates the myth of the "breathing guitar" and challenges the perceived superiority of nitrocellulose finishes, presenting evidence on how various finishes, including oil-based options, affect sound quality. The discussion extends to include electric guitars, debunking common misconceptions and highlighting perception biases in tone evaluation. Innovations in finishing materials and their future implications are also explored.

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